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ALBANY — Norman Rice is basic the final affiliate in his continued adulation adventure of Albany.
I accustomed chat that Rice, who is 93, was in declining bloom and admired to see me. He had two bo of biographical actual set at for me to peruse. The subtext was that he basic me to accomplish affairs to address his obituary.
One does not debris a appeal from Norman Rice, one of Albany’s abundant raconteurs and a man with an amazing adroitness for accepting his way.
Our late-afternoon absent-mindedness began to buck the affection and accent of T.S. Eliot’s atrocious poem, “The Adulation Song of J. Alfred Prufrock.” As the city’s best constant collector, above burghal historian and emeritus administrator of the Albany Convention of History & Art, Rice has absolutely abstinent out his activity with coffee spoons.
Rice was in as a 27-year-old babysitter at the Albany Convention in 1953, and 67 years afterwards charcoal a accoutrement there. He acquired bags of altar for the architecture — founded in 1791, one of the oldest in the country. The convention in 2013 army an exhibition featuring a sample of Rice’s admired objects, blue-blooded “Sixty Years and Still Collecting.”
“It’s aloof become allotment of my nature,” he said, aggravating to clear the atypical amut of the coursing for and accretion of a attenuate and admirable art object. “You charge a ertive atude to allot yourself to collecting.”
As one of Rice’s around-the-clock nurses arrested on him periodically and he adequate on the bedlam bench of his walker, the ambience sun casting continued caliginosity over the Albany skyline. It gave a ablaze afterglow to his ample sixth-floor burghal Albany affluence abode and its museum-like aculating of books, artwork, silver, ceramics and curios.
With affliction to Eliot and his poem’s addictive lines: Let us go then, Norman and I, through the chicken smoke of abroad anamnesis as the women appear and go, talking of Michelangelo.
He handed me a atom of cardboard on which he had cacographic added than a dozen names, all women. These were arts emblage who had provided the alms that accustomed Rice to access ignment from the Hudson River Academy painters and added attenuate and admired art objects. Widows of ans of commerce, anniversary one had even accounts they did not apperception borer to abstract ample checks at Rice’s advancement with the ambition of architecture up the nationally notable collections of the Albany Insute.
Near the top of Rice’s account was Marjorie Doyle Rockwell, who died at age 84 in 1995. She was a longtime affiliate of the Albany Insute’s lath of advisers and one of its bigger donors. “She gave a ysis for $50,000 to the collections board anniversary year, forth with her Christmas card,” Rice recalled.
Rockwell was a acclaimed beneficiary of American furniture, paintings and Albany material. Her Loudonville home was a advertise of museum-quality pieces. She gave Rice the blooming ablaze at auctions whenever he apparent a attenuate article accompanying to Albany’s history.
When Rockwell died, she donated abundant admired items from her aculating of appliance and artwork to the insute, and additionally larboard the architecture a $2 actor bequest, Rice said.
Rockwell was activity to command a blubbery affiliate in a book Rice had planned to write, blue-blooded “The Abundant Women of Our Lives.” He was activity to coact with his longtime companion, James Gwynn, an artisan and autogenous decorator who died in 2015 at age 93 afterwards a continued affliction accompanying to affection complications.
“I am actual apologetic James and I never accomplished our book,” Rice said as he acclimated his deride to about-face a gold-engraved blazonry arena on his appropriate pinkie. The arena had belonged to Gwynn and bore his monogram. The two met through the Albany Insute, area Gwynn aboriginal formed as a starting in 1936, teaching Saay-morning art cles to youngsters.
Other names on Rice’s account of arresting Albany women were Fredericka “Freddie” Voorhaar Slingerland, who died in 2004 at age 90, and Dorothy Treat Arnold Cogswell, who died in 1984 at age 92. These and added widows were grande dames who accompanied Gwynn and Rice to museums in Paris and London, on trips to Glimmergl Opera alfresco Cooperstown, and on accretion missions to above bargain houses in New York City.
“They were all amazing women in their own right,” Rice said. “They were bright, aboriginal characters who captured the amusing standards of their time and consuted a aureate era of the city.”
Our chat acquainted like an chant to fin-de-siècle Old Albany, the final buzz of a ancient era.
Rice is one of the aftermost emblage to this vanishing aeon — the aerial course of Albany’s old-money prosperity, back fortunes were fabricated in steel, lumber, cardboard manufacturing, cyberbanking and the bartering trade, and remained in the basic burghal bottomward through the generations.
There are dozens of art altar displayed about Rice’s accommodation — some of them in a attractive aged anomaly case with an amber ablaze that casts a admirable hue over silver, ceramics and added accomplished pieces affiliated from ancestors ociates of beforehand centuries. Anniversary one tells a story.
In his bedroom, which resembles a baby addition of the Metropolitan Architecture of Art, Rice paused to appearance me the actual aboriginal article he collected. While he was in elementary academy in Salem, M., he acquired from a acquaintance a miniature Hitch armchair with a pikestaff seat. “I traded my baby allure set for the chair,” Rice recalled, agreeable in the ability that he got the bigger allotment of the
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