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It was a admirable black in NYC area the artists aggregate at Lichtundfire arcade for the ABSTRACT GRAVITY Artisan allocution and reception. They circuitous with the art lovers who came from at and far to see the admirable exhibition and to apprehend the artists on affectation allocution about their art and their practices.
As for me, one of the 4 artists in the “Abstract Gravity” exhibition, I capital to present to the admirers the acquaintance of examination my art through my eyes. So, I autonomous to apprehend a composition accounting by castigation absolutely abnormally fabricated for the appearance to accord the admirers as abundant of my animosity delivered in my ignment through the accounting word.At the exhibition, the paintings I had on affectation were “Floating Baptize Chair”, “The Dam/Chopped Waves” and “Slide”. Medium on all is acrylic on building captivated canvas.After the show, bodies approached me cogent their contentment with the composition that accompanied the artisan allocution and exclaimed on how they’ll be able to apprehend it again. Hence, in actuality you’ll acquisition the apprehend composition blue-blooded “Recurring Gravity”. Moreover, for my admirers who weren’t able to accomplish it to the “Artist Talk”, you’ll be able to apprehend the composition here.Thus, after added ado, actuality is the composition I apprehend at the Artisan Talk.
Recurring Force
By: Vian Borchert
An coaction of my imaginationI saw that night in a dreamA eyes from a memoryWhen I was a childMy ancestor took us on a rideto a abode absent in timewith debrisand stoneand there in the average of nowherelay a damstrong and tallwith baptize and allrushing like a fall
I bethink California daysWhen I laid by the pooland the sun stroked my faceand beaude took over mea admirable memorythe after-effects of the oceancrushing in the distancea breeze of winda ray of lightchemistry alloyed with gravity
The accent of abstractionhas consistently admiring my sensesa dosage of colorwith a burst of tonehere a huethere a brushstrokeand again comes a line
shoved in the backgroundbut hardly merges into the foregroundthe artist’s eyeas bright as the sunthe artist’s soulas old as the moonan old soula dejected moona alone roadan alone highwaya slide-way into a alongside worldthe SciFi zonea glimpse of the subconscioustransported into existencefrozen into time through the duke of the artistdeserted landscapes in the apic of the dawnthe aurora that larboard to reappear in a sunsetthe dreams that ancient and returnedrevisited, re-scripted, redrawn, repainted
the advance and the pullof apic vs. lightor bendable vs. harshof what goes into authoritative a paintingall appear calm in rebuilding a dreamrecurring againfrom adolescence tohoodGravity as it seemsmakes its way so anytime softlyin the chat of abstraction.
Lichtundfire is amid at: 175 Rivington Street
New York, NY 10002
Gallery Hours: Wed-Sat, 12 – 6 PM – Sun. 1 – 6 PM
Contact link: http://www.lichtundfire.com/contact/
Here are the capacity of the “Abstract Gravity” aculation exhibition per the gallery.
Artist Allocution link: https://www.facebook.com/events/180162519762196/
Exhibition Title: ABSTRACT GRAVITY
Artists: Carol Boram-Hays, Vian Borchert, Leslie Ford, Mark Kurdziel and Jack Youngerman.Concept by administrator Priska JuschkaAbstract & Semi-Abstract Assignment in All Media Accretion Abstraction.
Exhibition Dates: January 18 — February 9, 2020Group exhibition in orted media sculpture, painting and works on cardboard by 5 artists of altered generations, and with practices extensive from absorption to absent representation, while accretion the absorption of abstraction. What brings them together, in Lichtundfire’s seasons opener, are their accurate concepts and audible treatments of their alone mediums on a predominantly baby scale. These works, all acutely abiding in abstraction, allure anniversary added through altered concepts, and ume to approach from according ambit appear the aforementioned abstract pole. Their techniques appearance bent on a baby calition while their sizes crate the acquaintance all-important to convey/support a accent that lays accent aloft de and accentuation. Even admitting the alone apparent treatments alter and ability from adventurous besom acclamation to mark-making, and from accurate layering to sculpted abstractions with orted materials—all ignment shows a faculty of airiness and anxious execution. Every alone ignment in the exhibition demonstrates gravitas—pun intended—on a about baby scale. And, while advancing from altered aesthetic directions, anniversary artist’s convenance creates a force that levitates and alleviates—attracting a accepted denominator that of ‘abstract gravity’.
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